California Apparel News

A U.S. District Court judge declared a mistrial in the trade dress suit filed by contemporary brand Trovata against fast-fashion retail giant Forever 21 Inc.

The jury had been deliberating since May 21. Industry watchers had been noting that this was the first trial in which Forever 21 was called to defend itself on charges that it copied and profited off of the designs of a manufacturer. Other manufacturers and designers—including Anna Sui, Anthropologie and Bebe—have sued Forever 21 on these charges in the past. Those cases have been settled out of court.

Newport Beach, Calif.–based Trovata sued Forever 21 in U.S. District Court in Santa Ana, Calif. And the trial began on May 12. In court documents, Trovata alleged that the retailer copied seven garments from its Spring 2006 collection. The award-winning design brand sued Forever 21 on grounds that the retailer infringed on its rights of trade dress.

Trovata attorney Frank Colluci said while trade-dress suits are not uncommon, it is rare for a fashion designer to take action on grounds of trade dress.

Trade dress is the concept that the shape or combination of elements of a specific product are unique to a manufacturer. For example, the hourglass-shaped bottle is thought to be unique to Coca Cola. If a second company sells products with a similar shape or combination of elements, a jury may find that the second company has infringed on the intellectual-property rights of the first company. Forever 21 attorney Bruce Brunda denied that the retailer broke any rules on trade dress.

To prove their points, lawyers fussed over the case’s exhibits, which were racks of clothes produced by Trovata and Forever 21. Colucci claimed that Forever 21 made exact replicas of Trovata garments, including its “Berber” polo shirt. Some of the Forever 21 garments featured faithful copies of Trovata’s idiosyncratic clothing labels, which made a reference to Trovata founder Sam Shipley.

The alleged knockoffs came at a crucial time, according to Colucci. In 2005, the new label had won the CFDA/Vogue Fashion Fund Award. Trovata’s reputation was rising, and its name and styles were frequently featured in fashion periodicals. Style-savvy Target Corp. broached the idea of Trovata designing a diffusion line for the mass-market retailer, according to John Whitledge, Trovata’s chief executive. He turned down the offer because he thought it was not the right time for his new label to cut a deal with one of America’s largest retailers. In 2007, Whitledge discovered that Forever 21 was selling fashions similar to his own Spring 2006 collection. He believed the alleged copies could damage his label’s chances to work and to collaborate with other large-volume retailers because it might be assumed that his label was doing business with Forever 21.

Colucci said his client’s rights were being infringed upon because Forever 21’s garments copied a combination of elements that consumers would easily identify as unique to the Trovata label. The frequent coverage in the fashion press helped create the up-and-coming label’s trade dress. Making carbon copies of garments featuring those elements were a violation of Trovata’s business rights, Colucci argued.

“There are many ways to make a blouse,” he said. “But there’s a huge leap between taking inspiration from a blouse and knocking it off.”

Forever 21 attorney Brunda told the jury of eight people that trade-dress rules do not apply in this case. Trovata is not a household name and mainstream consumers do not associate Trovata’s claimed combination of elements with the label, he said. Trade-dress rules have been used for the most well-known businesses and their products, such as the golden arches sign being associated with McDonald’s restaurants or Hermes’ “Kelly” handbag.

Trovata also had no special claim to the horizontal stripes and colors on its Spring 2006 garments, Brunda said. Rather, these elements were common looks and were in the public domain.

The results of this case could be drastic, according to Los Angeles–based attorney Crystal Zarpas, who handles fashion cases for her firm, Mann & Zarpas. Fashion manufacturers would have to assemble burdensome monitoring efforts before they debut any article of clothing on the market.

New York–based attorney Alain Coblence said trade-dress rulings are a band-aid solution to protect new designers. Coblence wrote and consulted on the Design Piracy Protection Act, which was re-introduced to the U.S. House of Representatives on April 30.

The law, which has been debated in industry circles since it was originally introduced in 2006, was drafted to extend copyright protection to fashion designs. Under existing law, copyright protection only covers fabric and surface designs.

More information about the Design Piracy Protection Act is available at ApparelNews.net, including covering the views of the proposed law’s supporters and its opponents.